Exposure
and Lighting for Digital Photographers only
Reviewed
by Dr. Eric Flescher
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Authors: Michael Meadhra and Charlotte K. Lowrie
Wiley
http://www.wiley.com/WileyCDA/WileyTitle/productCd-0470038691.html
Released: November 2006
Pages: 368
ISBN-10: 0470038691
ISBN-13: 978-0470038697
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Strengths: Brilliant photographs highlight the tutorials
and techniques. Nicely written and easy to understand. Good helpful Q&A
tips (questions and answers) at end of each chapter. Easy to read and
understand.
Weaknesses: I would prefer to see the chapter numbers at the
top of the page as are the titles for section/ parts.
Novice/Intermediate/Advanced
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Introduction
When
most people used film cameras, it was essential to use the basics to attain
good photographs. Since automation has arrived, this has become less a factor
if you want just take photographs. But to produce better photos, one needs to
use the elements of the camera in ways that will produce better results.
Working with the lighting, exposure and more are part of the process to upgrade
your skills. A great book that helps you improve your skills in a variety of
ways is Exposure and Lighting for Digital Photographers only.
The focus of the book starts with the authors and have
written a book that has breadth and depth to the main topic. Michael Meadhra is
commercial artist focusing on creative light effects. Charlotte K. Lowrie is a
professional photographer, publisher of camera and photography books and former
manager for MSN Photos. They have melded their efforts into producing a very
readable and authoritative book dealing with two essential variables for
photography: exposure and lighting.
Wiley stuff in some books
The book is divided into four parts and 15 chapters. A
multitude of nice photographs help illustrate points outlined by the authors.
The authors also employ a series of highlighted noted which are highlighted
throughout the chapters. These are entitled: Pro Tip (learning about
photography); Note (terms, vocabulary and related insights); X-ref (points to
other areas of the book to find further information). Q & A (questions and
answers), at the end of each chapter, target specific techniques that can be
utilized. Finding information within the chapters is aided by numbers (in
green) on the outside of the left page, in the very nice index and the
glossary.
The “normal eye” naturally looks at the top of the pages, first, and
then works their way down. With the chapter in the middle takes extra time and
is a little bit of distraction. I would prefer to see these numbers at the top
as are the titles for section/ parts of the book which are outside top of the
right hand page ( would have liked to see the number of the section there too).
A little idea for the next version of the book perhaps?
Part 1, "Painting With Light" addresses
nature of light. Learning about color of light and humans perceptions helps the
understanding of the science of light. White balance is also covered.
"What's Your Exposure", Part 2, main focus
is the other part of the title, exposure. The intricacies of balancing exposure
are noted along with how to obtain the best photo. Measuring light with your
camera and other exposure devices are explained. The authors explain about the
Zone System and how to use it integrate with digital photography. I really
like the photo examples in this chapter. The note (p.50) entitled “The Digital
Image Sensor is like a Sponge” is well done.
Part 3, "Put A Little Light On The Subject"
keys on tool and utility use. Light systems and controlling the light intensity
influence the tutorials here.
Part 4, "Lighting and Exposure for Specific
Subjects", has information about the different types of lighting and how
to deal with them. Portraits, natural-light and also less known lighting terms
(loop, butterfly, rembrant) are nicely introduced and explained.
Conclusion
There is a lot to “chew on” in this book. Novices new
to digital photography, may also find this book useful, but they will have to
learn about their camera first. This is a guide and tutorial for exposure and
lighting and does not explain how to use your camera. Not only do you gain an
understanding about light and exposure's intricacies, but the authors nicely
communicate and assist you along the way. This book is best for the
intermediate photographer but the advanced user may also enjoy it by learning
some new tricks. Since I am in these categories, this book will be used in my
photography library now and in the future.